The Oxford English Dictionary defines "beautiful" as "(1) excelling in grace of form, charm of colouring, and other qualities which delight the eye, and call forth admiration, (2) affording keen pleasure to the senses generally, (3) impressing with charm the intellectual or moral sense, through inherent fitness or grace, or exact adaptation to a purpose, and (4) relating to the beautiful æsthetic." The OED defines the adjective "sublime" (in terms of "things in nature and art") as "affecting the mind with a sense of overwhelming grandeur or irresistible power calculated to inspire awe, deep reverence, or lofty emotion, by reason of its beauty, vastness, or grandeur." Before delving into the meaning of the terms together, it is important to lay out the relevant definitions of each term individually. The meaning of "the beautiful" and "the sublime" as an aesthetic lingual duo is rooted in discourses on language, nature, literature and visual art. “Frederick Law Olmstead and the Dialectical Landscape,” The Writings of Robert Smithson: Essays with Illustrations, NY: NY University Press. Waterloo, Ontario, Canada: Wilfrid Laurier University Press. The Imprint of the Picturesque on Nineteenth-Century British Fiction. Stanford, California: Stanford University Press. Beautiful Sublime: The Making of Paradise Lost, 1701 – 1734. Washington University Gallery of Art, St. The Beautiful, the Sublime and the Picturesque: British Influences on American Landscape Painting. The Genius of the Place: The English Landscape Garden 1620-1820. Speech given at Manchester Metropolitan University, New Painters Conference, Liverpool, UK. Philosophical Inquiry into the Origin of our Ideas of the Sublime and Beautiful. Columbia, South Carolina: Camden Press.īurke, Edmund. Wordsworth, Turner, and Romantic Landscape.
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